Selective
bibliography
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Julian Barnes |
Website : http://www.julianbarnes.com |
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Books Metroland. 1980. London: Picador, 1981. Before She Met Me. 1982. London: Picador, 1983. Flaubert's Parrot. 1984. London: Picador, 1985. Staring at the Sun. 1986. London: Picador, 1987. A History of the World in 10 1/2 Chapters.
1989. London: Picador, 1990 Talking It Over. 1991. London: Picador, 1992. The Porcupine. 1992. London: Picador, 1993. Letters from London 1990-1995. London: Picador, 1995. Cross Channel. London: Jonathan Cape, 1996. England, England. London: Jonathan Cape, 1998. Love, etc. London: Jonathan Cape, 2000. Something to Declare. London : Jonathan Cape, 2002. (Under the pseudonym of Dan Kavanagh) Duffy. 1980. In
The Duffy Omnibus. Harmondsworth: Penguin, 1991. Fiddle City. 1981. In The Duffy Omnibus. Harmondsworth: Penguin, 1991. Putting the Boot in. 1985. In The Duffy Omnibus. Harmondsworth: Penguin, 1991. Going to the Dogs. 1987. In The Duffy Omnibus. Harmondsworth: Penguin, 1991.
Short stories "The Writer Who Liked Hollywood."
New Statesman 2 July 1982: 18-20. "The 50p Santa. A Duffy Detective Story." (sous le nom de Dan Kavanagh) Time Out 19 Dec. 1985-1 Jan. 1986: 12-13. "One of a Kind." The Penguin
Book of Modern British Short Stories. Ed. Malcolm Bradbury.
Harmondsworth: Penguin Books, 1987.
400-06. "Hamlet in the Wild West."
Index on Censorship. 23. 4-5 (Sept 1994): 100-3. "The Revival." New Yorker
5 Aug. 1996: 62-67. "A Short History of Hairdressing." New
Yorker 22 Sept. 1997: 120-29. "Vigilance." TLS 4 Sept. 1998: 6-7. "Hygiene." New Yorker
6 Sept. 1999: 68-72. "Appetite." Areté 2 (Spring/Summer
2000): 53-61. "The Story of Mats Israelson." New
Yorker 24 July 2000: 62-70. "The things you know." The
Independent 13 Oct. 2001: 13ff. Also in Sightlines. Ed.
P.D. James and Harriet Harvey Wood. London: Vintage, 2001. 138-50. "The Silence." Granta 76 (Winter
2002): 139-47. "The Fruit Cage." New Yorker
13 May 2002. "Bark." New Yorker 16 Sept. 2002: 92-97.
Prefaces Preface. Dictionary of Accepted Ideas. By Gustave Flaubert. Harmondsworth: Penguin, 1994. 5-11. Préface.
Le Sottisier. De
Gustave Flaubert. Trad. Emma Ducamp. Mesnil-sur-l'Estrée: NIL
éditions, 1995. 7-16.
Translations The Truth about Dogs. By Volker Kriegel. 1986. London:
Bloomsbury, 1988. 121p. In the Land of Pain. By Alphonse Daudet. London: Jonathan
Cape, 2002.
A
selection of secondary sources
Audigier, Jean-Pierre. "Ackroyd, Barnes, Swift ou la
représentation vive." TLE 7 (1989): 39-48. Bell, William. "Not Altogether a Tomb. Julian Barnes: Flaubert's Parrot." Imitating Art: Essays in Biography. Ed. David Ellis. London: Pluto Press, 1993. 149-173. Bernard, Catherine. "A History of the World in 10 1/2 Chapters de Julian Barnes et Le Radeau de la Méduse: L'image comme métaphore incongrue." Récits / tableaux. Ed. Jean-Pierre Guillerm. Lille: Presses Universitaires de Lille, 1994. (p.245-57) ---. "Flaubert’s Parrot: le reliquaire mélancolique." Etudes anglaises 54.4 (2001). Boccardi, Mariadele. "Biography, the Postmodern Last Frontier: Banville, Barnes, Byatt,
and Unsworth." QWERTY 11 (oct. 2001): 149-58. Bouillaguet,
Annick. "Le pastiche de genre : Le perroquet de
Flaubert." L'Ecriture imitative. Pastiche, parodie, collage.
Paris: Nathan Université, Fac.: 1996. 47-66. Brooks,
Neil. "Interred Textuality: The
Good Soldier and Flaubert's
Parrot." Critique:
Studies in Contemporary Fiction 41(1) (Fall 1999): 45-51. ---. "The
Silence of the Parrots: Repetition and Interpretation in Flaubert’s
Parrot." QWERTY 11 (oct. 2001): 159-66. Capet, Antoine,
et al, eds. Flaubert’s
Parrot de Julian Barnes « Un symbole du logos ? »
Publications de l’université de Rouen. 2002. 135p. Dobrogoszcz,
Tomasz. "Getting to the Truth: the Narrator of Julian Barnes's
Flaubert's Parrot." Folia Litteraria Anglica 3.7
(1999): 27-42. Freiburg,
Rudolf. " ‘Novels come out of life, not out of theory’: An Interview
with Julian Barnes." "Do you consider yourself a postmodern
author?" Interviews with Contemporary English Writers. Eds. Rudolf Freiburg and Jan Schnitker. Reihe:
Erlanger Studien zur Anglistik und Amerikanistik Bd.1, 1999. 39-66. Gasiorek, Andrzej. "Postmodernism and the Problem of History. Julian Barnes." Post-War British Fiction. Realism and After. London: Edward Arnold, 1995. 158-65. Guignery, Vanessa. "Palimpseste et pastiche génériques chez Julian Barnes." Etudes anglaises 50.1 (1997): 40-52. ---. "Excentricité et interlinguisme dans Metroland et Talking It Over de Julian Barnes." Etudes britanniques contemporaines 15 (déc. 1998): 13-24. ---. " ‘My wife ... died’: une mort en pointillé dans Flaubert's Parrot de Julian Barnes." Etudes britanniques contemporaines 17 (déc. 1999): 57-68. ---. "History in question(s):
An Interview with Julian Barnes." Sources 8 (printemps
2000): 59-72. ---. "Du psittacisme à l’émancipation? La transtextualité flaubertienne dans Flaubert’s Parrot de Julian Barnes." Etudes britanniques contemporaines 20 (juin 2001). ---. " "Re-vision" et révision de l'histoire sacrée dans le premier chapitre de A History of the World in 10 ½ Chapters de Julian Barnes." Alizés 20 (July 2001) : 67-86. ---. "Le narrataire ou le lecteur de l’autre côté du
miroir dans Flaubert’s Parrot de Julian Barnes." QWERTY 11 (oct. 2001) : 167-76. ---. "Julian Barnes at the Sorbonne. 14th November 2001." Études britanniques contemporaines 21 (déc. 2001) : 107-32. (In collaboration with François Gallix) ---. Postmodernisme et effets de brouillage dans la fiction de Julian Barnes. Villeneuve d'Ascq : Presses Universitaires du Septentrion, 2001. 735p. Thèse à la Carte n° 32133. Directeur de thèse : Monsieur le Professeur François Gallix. Université de Paris IV. ---. Flaubert’s
Parrot de Julian Barnes. Paris: CNED/Armand COLIN,
2001. 144p. ---. Julian
Barnes. L’art du mélange. Bordeaux : Presses
Universitaires de Bordeaux, 2001. 136p. Hateley,
Erica. "Flaubert’s Parrot as Modernist Quest." QWERTY
11 (oct. 2001): 177-82. Higdon,
David Leon. " 'Unconfessed Confessions': the Narrators
of Graham Swift and Julian Barnes." The British and
Irish Novel Since 1960. Ed. James Acheson. Houndsmill: Macmillan,
1991. 174-91. Hilton, Heather E.. "The Structure of Reading. Julian Barnes' A History of the World in 10 1/2 Chapters." Annales de l'Université de Savoie 16 (1993): 35-51. Johnston,
Georgia. "Textualizing Ellen: the patriarchal 'I' of Flaubert's
Parrot." Philological Papers 46 (2000): 64-9. Joseph-Vilain,
Mélanie. "The Writer’s Voice(s) in Flaubert’s Parrot."
QWERTY 11 (oct. 2001): 183-88. Kelly, Lionel. "The Ocean, The Harbour, The City: Julian Barnes' A History of the World in 10 1/2 Chapters." Etudes britanniques contemporaines 2 (juin 1993): 1-10. Kotte, Claudia.
"Random Patterns? Orderly Disorder in Julian Barnes's A History
of the World in 10 1/2 Chapters." Arbeiten aus Anglistik und Amerikanistik 22.1 (1997): 107-28. Little, Roger. "A Simple Story: 'Sur la mer des Caraïbes'." Revue de littérature comparée 66 (oct.-déc. 1992): 439-44. Louvel, Liliane. "L'effet-Méduse ou la drôle "d'histoire" de Julian Barnes." Claudine Verley. L'Entre-deux, Cahiers forell 6 (mars 1996): 219-35. Lozano,
Maria. " 'How you Cuddle in the Dark Governs How You See the
History of the World': A Note on Some Obsessions in Recent British
Fiction." Telling Histories. Narrativizing History,
Historicizing Literature. Ed. Susana Onega. Amsterdam/Atlanta:
Rodopi - Costerus New Series 96, 1995. (p.117-34) Millington
Mark K. and Alison S. Sinclair. "The Honourable Cuckold: Models
of Masculine Defence." Comparative Literature Studies
29.1 (1992): 1-19. Moseley, Merritt. Understanding Julian Barnes. Columbia: University of South Carolina Press, 1997. 198p. Naugrette, Jean-Pierre. "Le perroquet de Barnes: de
R.L. Stevenson à David Hockney." Symposium C.A.P.E.S. et agrégation
2002 des 17 et 24 novembre 2001. Ed. Patrick Badonnel. Paris: Editions du C.R.E.AA.C.T.I.F., 2001.
39-48. Newton,
Adam Zachary. "Telling Others: Secrecy and Recognition in Dickens,
Barnes and Ishiguro." Narrative Ethics. Harvard: Harvard
University Press, 1995. 241-85. Pateman,
Matthew. "Julian Barnes and the Popularity of Ethics." Postmodern
Surroundings. Ed. Steven Earnshaw. Amsterdam/Atlanta: Rodopi -
Postmodern Studies 9, 1994. 179-89. ---. A
Critical Study of the Fiction of Julian Barnes with Reference to Selected
Theories of Narrative and Legitimation. (Dr. Richard Brown) Diss.
Leeds University, 1995. 254p. ---. "Is There a Novel in this Text? Identities of Narrative in Flaubert's Parrot." L'Exil et l'allégorie dans le roman anglophone contemporain. Ed. Michel Morel. Paris: Ed. Messene / Collection "Dire le Récit", 1998. 35-47. Pédot, Richard. "Voyage au centre de la métaphore: Staring at the Sun de Julian Barnes." Etudes britanniques contemporaines 15 (déc. 1998): 1-11. Petit, Michel. " 'Gourstave Flaubear': l'intertextualité contrastive comme procédé métafictionnel dans Flaubert's Parrot de Julian Barnes." Histoire et métafiction dans le roman contemporain des îles britanniques. Ed. Max Duperray. Aix-en-Provence: Publications de l'Université de Provence, 1994. 121-37. Porée, Marc. "Des choses cachées depuis la fondation de l'Arche." Critique 522 (nov. 1990): 900-10. Raucq-Hoorickx, Isabelle. "Julian Barnes' History of the World in 10 1/2 Chapters. A Levinasian Deconstructionist Point of View." Le Langage et l'homme. 26.1 (mars 1991): 47-54. Salyer, Gregory. "One Good Story
Leads to Another: Julian Barnes's A History of the World in 10
1/2 Chapters." Literature & Theology 5.2 (June
1991): 220-33. Scott, James
B.. "Parrot as Paradigms: Infinite Deferral of Meaning in Flaubert's
Parrot." ARIEL 21. 3 (July 1990): 57-68. Sesto, John
Bruce. The Fictional World of Julian Barnes. (Dr. Thomas Flanagan)
Diss. State University of New York at Stony Brook, 1995. 207p. Shepherd,
Tania. "Towards a Description of Atypical Narratives: A study
of the underlying organisation of Flaubert's Parrot."
Language and Discourse (5) 1997: 71-95. Todd, Richard.
"Domestic Performance: Julian Barnes and the Love Triangle."
Consuming Fictions. The Booker Prize and Fiction in Britain Today.
London: Bloomsbury, 1996. 260-280. Touaf, Larbi. Narration, représentation et lecture dans le roman anglais postmoderne: The French Lieutenant's Woman de John Fowles, The White Hotel de D.M. Thomas, Waterland de Graham Swift, Flaubert's Parrot de Julian Barnes. Villeneuve d'Ascq : Presses Universitaires du Septentrion, 1998, ISBN : 2-284-00421-0. 395p. Directeur de thèse : Monsieur le Professeur François Gallix. Université de Paris IV. Walters,
Tim. "Nabokov as Both String and Hole in the Postmodern Net of
Flaubert’s Parrot." QWERTY 11 (oct. 2001): 197-204. White, Patti.
"Stuffed Parrots." Gatsby’s Party : The System and
the List in Contemporary Narrative. West Lafayette, Indiana: Purdue
U.P., 1992. 111-23.
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This bibliography was compiled by Vanessa Guignery, senior lecturer at the university of Paris IV- Sorbonne | |||